KING OF RAGTIME: THE STORY OF SCOTT JOPLIN

Written by STEPHEN COSTANZA

Book Review by Eric Plaut


 

INTRODUCTION

If you enjoy listening to Ragtime, you will like reading this biography of Scott Joplin.Dubbed as the “King of Ragtime”, Joplin composed such hits as “The Maple Leaf Rag” and “The Entertainer” to name a few.His music makes me think of those silent-film comedies from around a century ago.I can picture Charlie Chaplin—dressed as his most-famous persona the “Little Tramp”—walking about and twirling his cane around.Or the Keystone Cops ineptly chasing down a bad guy or a Model T Ford zooming down the road and barely miss getting hit by a speeding train.


“JUNETEENTH”

Scott Joplin was the second-oldest of six children born to Giles and Florence Joplin in Texarkana, Texas.Scott’s birthdate varies though most historians believe it was on November 24, 1868.Giles was a former slave from Texas while Florence was born in the free state of Kentucky.The Joplin family moved to nearby Texarkana, Arkansas in 1880.


(Note: “Juneteenth” marked the end of slavery on June 19, 1865 and, a year later, would become the oldest holiday celebrated in the African-American community in the United States.Kentucky was admitted to the Union in 1792 as the 15thstate and had outlawed slavery in 1833.Meanwhile, in 1865, the U.S. Constitution’s 13th Amendment declared slavery to be illegal in America.)


A SEED IS PLANTED


Scott inherited his talents through a musically inclined family.Before he played piano, Scott could perform a tune on the cornet.Florence sang and strummed the banjo while Giles played a mean fiddle.Since Scott was a quiet and introverted lad, he would listen to sounds while he worked or played outside, trying to replicate them back as best as he could.


During the 1880’s, Giles left his family behind to work on the railroad—laying tracks for a dollar a day.Work was scarce for African-American men back then, and the railroad paid good money.  Giles hoped that Scott would follow in his footsteps, but the younger Joplin had other plans.Florence was soon hired as a cleaning woman for the Cooks, a wealthy white family who had a piano.She would take Scott along to help her with the chores.He discovered the Cooks’ piano and wanted to play it.Once he completed his share of housework, Florence and the Cooks allowed Scott to play their piano.


But Florence saw potential in her son.Even amongst five other siblings, Scott’s talents stood out.Florence and Giles searched for a long while before locating a piano for him.Around the same time, Scott takes piano lessons from Julius Weiss, who taught the lad about music and parts of the piano.Dr. Weiss would teach Scott for free in exchange for Florence cleaning his house.She accepted the deal, and Ragtime fans will always be grateful for this.


TAKING THAT TRAIN TO THE END OF THE LINE


Unlike his father Giles, Scott Joplin didn’t want to lay railway tracks for the rest of his life.Scott, however, did take the train to the end of another line.While still a teenager, he moved to St. Louis and began playing piano with a band in saloons and bars to earn a living.Scott’s material on the piano was all original music.He didn’t like performing “covers” (as they were known long after his passing.)


Though Scott Joplin attended the 1893 World’s Fair in Chicago, he and other black performers were prohibited in playing music within the central venues there.But this didn’t deter Scott, and word did get out about this amazing performer.He also felt that attending the 1893 World’s Fair helped inspire him and his music.  Joplin moved to the thriving music town in Sedalia, Missouri a year later.


“THE KING OF RAGTIME”


“Do not play this piece fast. It is never right to play Ragtime fast”—Scott Joplin


Scott Joplin thrived in Sedalia, Missouri.To supplement his income, he gave piano lessons as well as played piano at the local Maple Leaf Club.He also attended the nearby (and now defunct) George R. Smith College where he studied harmony and composition.Scott’s first and one of his most popular ragtime pieces was titled “The Maple Leaf Rag” (1899)—named in honor of the local piano bar that gave him one of several breaks during his lifetime.


But just like the melodies and rags he composed on the piano, Scott Joplin was never one to sit still.It would take him almost five years before he hit it big.John Stark, a music publisher, signed Scott to a contract in 1899 upon hearing “The Maple Leaf Rag” and seeing people dancing to his music.Joplin’s other ragtime hits included “Easy Winners” (1901), “Weeping Willow” (1903) and one of his most popular hits—1902’s “The Entertainer”.


A JACK-OF-ALL-TRADES


Scott was also a jack-of-all-trades with his 1909 habanera “Solace” and two operas: A Guest of Honor (1903) which told of Booker T. Washington’s visit to see President Theodore Roosevelt at the White House; and Treemonisha (1911) in which the title character was inspired by Florence Joplin, Scott’s mother.Joplin collaborated with fellow ragtime composers, too.


Scott Joplin passed away in 1917 at the age of 48.His work was largely forgotten for decades.  However, a revival of his music emerged during the 1970’s.The Sting, which won the Oscar for Best Picture in 1973, contained several piano rags of Joplin’s.There was also a 1977 film starring Billy Dee Williams as the King of Ragtime.Joshua Rifkin released a 1970 album on Scott’s piano rags.  (Joplin did not record his music within his lifetime; instead they were printed on piano rolls.)

It is a shame that a lot of artists and musicians do not get the recognition they deserve during their lifetime.Posthumous honors for Scott Joplin include: the special Pulitzer Prize during America’s bicentennial year (1976); a stamp printed of him in 1983; and a star on the St. Louis (Missouri) Walk of Fame in 1989.Joplin’s House on Delmar Boulevard in St. Louis, where he wrote “The Entertainer”, is a national historic landmark while a crater on the planet Mercury in 2012 was named “Joplin” in his memory.There is no doubt that Scott Joplin’s music and talents will live on forever.


CONCLUSION

This book is a great read to those who enjoy the history of Ragtime and its most famous composer Scott Joplin.Stephen Costanza writes and illustrates a great book on the King of Ragtime.I also think that Costanza should have received the Caldecott Prize or an Honorary Medal for his symbolic use in his illustrations.  I recommend this book to both music fans and historians alike!


Rating: *****

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