You don’t make music for immortality. You make music for the
moment—of capturing the sheer joy of being alive on Planet Earth. Wow! Is this
fun! This is—this is just the greatest. It’s the best. Everybody should live
(life) that way.
--Ray Manzarek, interview with the L Studio Session
Ray Manzarek’s organ and keyboard-bass playing and—often
uncredited—background vocals propelled the Doors to astronomical heights in the
rock ‘n roll industry. Wearing well-groomed suits with his trademark glasses,
he looked more like a businessman than your everyday rock musician. Sadly, Ray
passed away on May 20, 2013 at the RoMed Clinic in Rosenheim, Germany. He was
74 and had battled bile-duct cancer.
GROWING UP—IN THE TOWN OF CHICAGO
Manczarek, Jr. was born on February 12, 1939 in Chicago. He was the oldest of
three brothers. Ray remembered in a 2009 interview with L Studios that he
learned to play the piano during the late 1940’s or early 1950’s. His lessons
were held at a studio above Strauss’s Bakery in the Windy City. Ray’s
instructor was an elderly man with a German accent. Ray couldn’t recall the
title of his red music book or the name of a certain Native American Indian
song, though he said he used the song’s bass-line for the Doors’ song Lions
in the Street.
Ray graduated from Everett Elementary School and from St. Rita High School in
Chicago. He continued his studies over at nearby DePaul University, and
received a bachelor’s degree in Economics. After a brief stint of playing piano
for the Army in Okinawa and Thailand, Ray returned to school. He began his film
degree at the University of California—Los Angeles (UCLA) in 1962. There he met
a bibliophile and a fellow film student who would play an essential part in his
life—James Douglas Morrison.
THE WHOLE THING STARTED WITH ROCK ‘N ROLL
arrival at UCLA, Ray joined his first band—Rick & the Ravens. Ray’s two
younger brothers Rick and Jim Manczarek formed the rock group. Rick played
guitar while Jim performed on harmonica. Ray played keyboards and sang vocals.
He went by a variety of rock pseudonyms including “Screaming Ray Daniels.”
Songs the Ravens performed included Soul Train, Big Bucket T
In June of 1965, Ray approached Jim Morrison about performing with Rick &
the Ravens. The band, according to Jerry Hopkins and Danny Sugerman (who
co-wrote the bestseller on Jim titled No One Here Gets Out Alive), were
the opening act for Sonny and Cher at a high-school graduation. Rick & the
Ravens were under contract to have six musicians, and they only had five. In
order to get paid, Ray asked Morrison to join the band and “play” an electric
guitar. “Don’t worry,” Ray told Jim, “we won’t even plug (the guitar into the
sound system).” Little did anyone know at the time, but a door of opportunity
opened for Jim Morrison.
A few months later Jim and Ray encountered one another on a beach. Ray
learned that Jim was writing songs, and he encouraged him to sing one. Jim sang
the first few lines from Moonlight Drive. Ray was blown away by the
lyrics. Both fellows unanimously thought then and there to “form a rock band
and make a million dollars.”
After an invite by Ray, Jim Morrison joined Rick & the Ravens as their
new singer. Around the same time, a new drummer named John Densmore—who
performed in the Psychedelic Rangers—and a bass guitarist named Patricia
Sullivan were also added to the lineup. In September of 1965, the band recorded
six songs Jim Morrison wrote including Moonlight Drive, Go Insane
and Hello, I Love You. Disgusted with Morrison’s songs and his
“unprofessionalism”, Rick and Jim Manczarek and Patricia Sullivan left the
Ravens around that time. Rick Manczarek was replaced by Psychedelic Rangers
guitarist Robby Krieger, and a new band—the Doors—was born.
BREAK ON THROUGH TO THE OTHER SIDE
With two of the three
Manczarek brothers out of the band, the name Rick & the Ravens was dropped.
(Rick Manczarek, though with an entirely different lineup, started up Rick and
the Ravens once more in 2011.) Robby Krieger and John Densmore became the
band’s newest members. Their bassist Patricia Sullivan soon left the updated
group as well. Instead of finding someone to replace Sullivan, Ray began
playing a keyboard-bass. He would play on a Fender Rhodes keyboard-bass with
his left hand and on either a Vox Continental or a Gibson G-101 organ with his
right hand. Ray would continue this trait during concerts and many of the
recording sessions. The band would hire an occasional bass player to assist on
their studio sessions. One bassist was Jerry Scheff who played and toured with
Jim Morrison suggested to Ray about calling their band the Doors. Jim got
the name from Aldous Huxley’s 1954 novel The Doors of Perception, as
well as a quote from the British poet William Blake’s The Marriage of Heaven
and Hell: “If the doors of perception were cleansed everything would appear
to man as it is, Infinite.
”The Doors started performing at the Whiskey a-Go-Go out in West Hollywood in
1965. Their first appearance was with the British band Them (with a singer
named Van Morrison, who wasn’t related to the Doors’ singer). Around this time,
Ray dropped the C from his last name. He was billed as “Ray Manzarek” for the
rest of his personal and professional life.
Even though Jim Morrison was always credited as the band’s singer, he began
playing harmonica and singing a small amount of vocals. As he slowly moved into
the lead singer’s spot, Jim started singing with his back to the Whiskey
a-Go-Go’s audience. It took him a while before he could face the crowd. While
Jim’s mannerisms bothered John Densmore, Ray Manzarek patiently held the Doors
together. Ray would sing lead at first, but as time wore on, he quietly moved
to background vocals (he occasionally sang lead with a few songs they played in
concert such as Willie Dixon’s Close to You.)
The Doors’ competitors in the 1960’s rock industry included the Turtles,
Love, the Byrds and the Lovin’ Spoonful with John Sebastian, who composed the
theme for Welcome Back, Kotter. The British invasion in America
occurred a year earlier in 1964 with a band from Liverpool, England—the
Beatles. The Rolling Stones and other British groups soon followed the Fab
The Doors’ self-titled album debuted in January of 1967. Break on
Through and Soul Kitchen were their first songs on the album.
The End, a controversial song regarding the Oedipus complex, concluded
on side two. But the Doors’ biggest hit came from their guitarist Robby
Krieger: Light My Fire. Each one of the four Doors contributed to
this classic tune. Robby wrote the first verse and the first line of the second
verse and played flamenco guitar. John Densmore used both jazz and Latin
influences on his drums, while Ray hammered out styles similar to Johann
Sebastian Bach and Ray Charles on keyboards. Jim Morrison sang Light My
Fire in a Chet Baker voice and ad-libbed the remaining three lines of
second verse. Six months later Light My Fire appeared as number one on
the Billboard charts. Artists who recorded covers of this song included Jose
Feliciano and Shirley Bassey.
OPPORTUNITY COMES KNOCKING
With the success of their
self-titled debut album and Light My Fire, the Doors released their
second album in October of 1967. Titled Strange Days, it featured a
cover depicting a circus sideshow with a Doors poster in the background. Jim
Morrison, whose face was shown ten times larger on the first album than his
bandmates, wanted all four members to be on “equal” terms. Songs on the second
album included the title track, Moonlight Drive, My Eyes Have Seen
You and When the Music’s Over.
The Doors’ popularity soared. Rock critics compared them to the American
equivalent of the Beatles and the Rolling Stones. The year 1967 turned out to
be a banner one for the Doors. To cap off the year, Ray wed his long-time
girlfriend Dorothy Fujikawa on December 21st. The couple stayed happily married
for over 45 years. The best man and maid-of-honor for the occasion were Jim
Morrison and his girlfriend Pamela Courson.
The Doors’ third album Waiting for the Sun debuted in July of 1968.
Their song Hello, I Love You became a number-one single in the United
States and Canada. Other songs from the album included The Unknown
Soldier, Spanish Caravan and Five to One. The Doors
toured Europe during that summer with Jefferson Airplane. While in Amsterdam,
Jim Morrison swallowed a large amount of hash before a show and collapsed on
stage during the Airplane’s performance. The other three Doors performed later
that night without Jim; Ray sang in Jim’s absence.
A March 1969 concert at the University of Miami derailed the Doors for a
while. (Jim Morrison was charged with public drunkenness and exposing himself
at the concert; he was posthumously pardoned by Florida governor Charlie Crist
in 2010.) Following Miami, many cities either canceled their shows and/or made
the band post a $5,000 bond before they could perform. Though Jim disliked
performing at outdoor shows, the Doors didn’t have any choice in the matter.
Their last show (with Jim singing) was in December of 1970.
THE END—AND A NEW BEGINNING The Soft Parade was
the Doors’ fourth album, released four months after the Miami incident. Two
more albums followed—Morrison Hotel in February 1970 and L.A.
Woman in April of 1971. Songs from those albums included Tell All the
People, Peace Frog, Roadhouse Blues and Riders of the
Storm. A month before L.A. Woman’s release, Jim Morrison left the
band to write poetry and be with his girlfriend Pamela Courson in Paris,
France. Jim never returned to the United States; he died in Paris on July 3,
1971. Pam Courson passed on in 1974.
The Doors continued as a trio with Ray singing lead and Robby Krieger
assisting at background vocals. All three surviving members wrote songs. Two
albums were released: Other Voices in October 1971 and Full
Circle in July of 1972. Though the Doors finally broke up in 1973, the
band released its ninth and final album in 1978. An American Prayer
consisted of Jim’s poetry and other recordings. Ray, Robby and John Densmore
supplied the music.
The Doors still have compilations of their recordings released on occasion.
Ray continued to record with poet Michael McClure. Ray also worked on four solo
albums and three more with Roy Rogers, who was named for the singing cowboy.
(His third and final collaboration with Rogers Twisted Tales was
Ray’s first solo project The Golden Scarab (1973) is an “electronic
papyrus” which contains songs about Egypt (with Solar Boat and the
title song) and songs referring to politics (Choose Up and Choose
Off). His other three solo albums were: The Whole Thing Started with
Rock & Roll Now It's Out of Control (1974); Carmina Burana
(1983); and Love Her Madly (2006).
Ray formed another band called Nite City during the late-1970’s; he produced
Nite City’s two records. Within the last dozen years of his life, Ray tried to
get the Doors back together with Robby Krieger. John Densmore opted not to join
the revised group as their drummer. John also would not allow Ray and Robby use
the Doors name or an updated version—the Doors of the 21st Century (or “D21C”).
The band was eventually called “Manzarek-Krieger” or “Ray and Robby of the
Doors”. At one point their most recent edition was known as “Riders of the
Storm” (a well-known Doors song and—ironically—the title of John Densmore’s 1990
autobiography about working with the Doors.) Ray and Robby performed with
numerous vocalists and drummers and two different bassists. But as of this
writing, there is no information available on whether Robby and the band
Manzarek-Krieger will continue to perform following Ray’s passing. However,
Robby and John are planning to perform a tribute to Ray in the near future. A
potential date may be set for February 12th, 2014, which would have been Ray’s
MORE DOORS OF OPPORTUNITY OPEN
Ray Manzarek will always
be known for his trademark style on keyboards. In a tribute to Ray, USA
Today recently described his music as “carnivalesque…and hard to imagine
Light My Fire without it.” A variety of emotions flowed from Ray’s
fingers as he pounded the keys—from mysterious (Riders of the Storm) to
excitement (Hello, I Love You). Sometimes he, Robby Krieger and John
Densmore ad-libbed music to go along with Jim Morrison’s words as with the song
Five to One. One social-media fan even compared Ray to
Ray’s career was quite diverse as well as passionate. One could only hope to
have a career to use his or her talents for over 50 years! Ray produced such
albums as Los Angeles for John Doe and Exene Cervenka’s punk band X.
(X did a cover on the Doors’ Soul Kitchen where Ray played keyboards
and sang background vocals.) More recently, Ray played keyboards and
keyboard-bass to Weird Al Yankovic’s parody Craigslist—as sung to
When the Music’s Over.
Ray put his UCLA film degree to good use. He directed student films with
such names as Induction and Evergreen. Years later Ray
continued his work behind the camera, making several films about the Doors
including their 1968 tour of Europe and at the Hollywood Bowl. As an actor, he
appeared as himself in Induction (1965) and as “Charlie Simbo” in the
1983 Chevy Chase comedy Deal of the Century. Ray also wrote an
autobiography about working with the Doors called Light My Fire
(1998). He authored two other books: The Poet in Exile (2001) and
Snake Moon (2006).
His Vox organ and Fender Rhodes keyboard-bass have drawn silent since Ray’s
passing. But the Doors live on in CD’s, DVD’s, tapes and even those vinyl
records. Their music is still heard on the radio, through film soundtracks and
by bands performing covers of their songs. The Doors were inducted into the
Rock ‘n Roll Hall of Fame in 1993 and have a star on the Hollywood (CA) Walk of
Fame. Oliver Stone directed a 1991 film biopic on the band. Aptly titled
The Doors, Jim, Ray, Robby and John were portrayed by Val Kilmer (“Ice”
from Top Gun), Kyle MacLachlan (Twin Peaks), Frank Whaley
(Pulp Fiction) and Kevin Dillon—Matt’s younger brother who’s best known
from the Entourage series.
Ray Manzarek is survived by his wife of 45 years Dorothy, son Pablo
(Sharmin), three grandchildren and his brothers Rick and Jim Manczarek.
Condolences are also extended to Robby Krieger, John Densmore and fellow
bandmates—for whom Ray had the opportunity to perform with from Rick & the
Ravens to Manzarek-Krieger—and to all Doors fans worldwide.
According to David Dutkowski the Webmaster on Ray’s Facebook page, the
Manzarek family has expressed to the media to please respect their privacy
during this difficult ordeal. In lieu of flowers, donations in Ray’s name would
be appreciated to standup2cancer.org.
“We’re all Riders of the Storm,” Ray said following his 2009
interview at the L Studio sessions. “God bless you.”
ABOUT THE AUTHOR
Eric Plaut has been a
freelance writer for the past several years. His artistic talents also include
graphic design and illustration. He has degrees from both the University of
Wisconsin-Whitewater and Columbia College in Chicago. Eric’s interest in the
Doors, the Beatles and other 1960’s bands goes back over 25 years. His favorite
song of all time is the Doors’ Hello, I Love You which he once sang at
his college roommate’s wedding. He resides in the Midwest.
Inception 2: The Lost Written
by Darnell Jordan
June 25th, digital artist Edo held an eclectic soiree where he
unveiled his latest collection, Infinite Inception 2: The Lost.
entering, I was greeted by a life-sized cut-out of Edo, which everyone had the
chance to write a brief message on. The room was full of eager art-enthusiasts
with energy that vibrated off the walls.
new collection is a raw display of his non-existent relationship with his
father. It summarizes everything he has ever wanted to say to him. He cleverly
expresses this by creating portraits of influential people the world has lost both
literally and figuratively. A distinct emotion is embodied in each piece, and
represents a different chapter in Edo’s life. He included attributes that pay
homage to the subject of the portraits as well.
Inception 2: The Lost stood out to me, because of how Edo chose to present it.
The show began with a posted statement by him explaining his inspiration behin…
Nikki Giovanni is a living legend. She is a poet, writer,
activist, and educator. At the age of 73, she continues to write and teach
others how to bring out their inner creativity. I had the pleasure of speaking
with her about her latest book and enjoyed the great advice on writing.
Shanessa Fenner: What is your latest
project that you are working on? Nikki Giovanni: I
am writing my latest book entitled “A Good Cry.” It started because I became
aware that no matter what the myth is about women crying all the time, women do
not cry. When your husband, mother, or sister dies you bury them and you get
things done. You sell the car, rent the house, and just do things you have to
do and you don’t have time to mourn. It dawned on me that a lot of people my
age don’t really know how to mourn. My doctor says we have high blood pressure
because we don’t take care of ourselves.I think we have high blood pressure because we keep a lot of things
Gary Hines, music director of Sound of Blackness Remembers Prince Interviewed and written
by Aaron Robinson – Editor
Last fall, 3-time
Grammy Award-winning vocal/instrumental ensemble Sounds of Blackness released the
song “Black Lives Matter” along with the video that has been receiving much
praise on YouTube. About a month ago, the inspirational famed group also released
“Royalty,” a song dedicated to the astounding musician Prince with a special
collaboration with students from HSRA (High School for Recording Arts). The
video can be viewed online at www.soundsofblackness.org. In the future, the group is looking
to release their first live CD featuring ACWC (A Cappella Choir of Wiley College) along with many other projects having many
talents and collaborations.
Gary Hines, music
director of Sounds of Blackness, a man filled with integrity and who has a
great heart and soul, remembers a friend and brother in spirit, the late
international mega star Prince. He speaks of how substantial P…